Nov 11 - Ardalan - Alberta Electronic Music Conference
AEMCON, Night Vision, 9910, and Monster are proud to present the first show of the Alberta Electronic Music Conference
With support from Night Vision’s Adam Johan (conference presenter), Dailey (conference presenter), & David Luca
===Artist Performance Details===
Ardalan will be giving a keynote talk on Friday November 11th at 8pm at 9910. He will then be performing later that night at 9910.
An AEMCON conference pass will get you entry into his keynote, but you must buy a ticket to his DJ show separately on our ticket page. You don’t need a conference pass to purchase a ticket
Ardalan event only:
Conference and Ardalan Event: http://www.albertaelectronicmusic.com/tickets-purchase-page
Early Bird: $15 (Online Only)
Regular Price: $20
Tickets will be available from the AEMCON website
Range, appeal, and a massive dose of nasty, gritty bass are the three chief weapons every Dirtybird artist has in his or her quiver, but Ardalan seems to be the peak culmination of all those assets in one wieldy point. This young archer has had the incomprehensible luck to fall into crew with his idols, be reared by their best and given some of their most guarded musical secrets, then hoisted to a platform to blare his prodigious beats from places where most creators can only dream of being.
Born in Tehran, Iran, Ardalan possesses a peculiar, fresh perspective on music genesis without even trying. His mixes, remixes and dubs are known for their sass, energy and wickedly wry samples that snap like a wet towel to the face, but his original records are where his efforts shine, like those released with Justin Martin —“Mr. Spock,” a 2010 party anthem charted by Diplo and Jesse Rose, “LEZGO,” charted by Dog Blood (Skrillex and Boyz Noise) and “Function”, the 2015 banger that keeps giving — as well as two of his own EP’s that were released on Dirtybird, “The Yeah / No” and “Thunderdad”. It is no wonder he has been given the nod by everyone, from Papa Dirtybird himself (Claude VonStroke) and A-Trak, to those who are charting his remixes, like Maya Jane Coles, Audiojack, and Riva Starr.
The greatest strength in Ardy’s music is his ability to whip out hits that work equally well from the dankest basements to the most opulent dance-floors; sounds that satisfy those with diverse tastes who can unite under his single agenda of having a good time.